1. BillC

    Street of Chance, from Cornell Woolrich’s The Black Curtain, is a good early noir film centered on amnesia.

  2. Great article again Tony & a list of some great films (many of which I’ve not seen but will now look into).

    I agree that Street Of Chance is an excellent addition to this list. Another great example is an early Joseph L. Mankiewicz film – many years before he shot Cleopatra, called Somewhere In The Night, full of weird characters and situations. The whole thing is rather surreal but brilliantly done. John Hodiak in the lead is particularly peculiar, which lends itself well to the film. There are some classic Noir moments and cinematography.

    You very kindly reviewed and showcased our short film AnnA (another psychological journey!) last year & you might be pleased to know that we are working on another short now – with amnesia as the main theme (a variation called dissociative fuge).

    Influenced by the highly popular Nordic Noir style, we are filming in London and Stockholm & our lead actor is Christian Hillborg from the Nordic Noir Swedish series ‘The Bridge’ (‘Broen’).

    In a few months, I hope you will be able to share the final film with our fellow Noir fans here!

  3. Thanks Robin and for mentioning Somewhere in the Night, which I have reviewed and missed when compiling my list. My review is here.

    Certainly exciting news on your new project! I will definitely feature the film here when the time comes. All the best. Tony

  4. It has always been a great theme, and your stellar list attests to the inherent fascination. 1943’s classic weepie RANDOM HARVEST is another that qualifies, and movie fans of recent vintage will point to THE BOURNE IDENTITY, TOTALL RECALL and DARK CITY not that I consider myself a huge fan of these. But there are infinite possibilities.

  5. I’m intrigued to read this list – will aim to see some of the films. Does Spellbound count as a noir?

    Tony, I’ve just read your excellent review of Sunset Boulevard, after seeing the movie last night, and I suppose that film’s the opposite of amnesia – someone who can’t forget anything in the past for a moment.

  6. Thanks Judy and for your visit.

    Spellbound has I think a noir mood – an unsettling scenario, expressionist visuals exploring the darker side of dreams manifesting repressed memories and mental instability.

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