-
FilmsNoir.Net
The complete film noir portal: movie reviews, articles, poetry & fiction, and noir news... -
Recent Posts
- The Thief (1952): Silence is golden
- Cinematic Cities: New York 1952
- The Burglar (1957): The last b-movie?
- Noir Poet: Sinclair Lewis
- The Big Bluff (1955): The bitter flavour of festering reality
- The Story of Temple Drake (1933): The good bad-girl
- The PI as Anarchist
- “All you need to make a movie is a girl and a gun”
- The French have a name for it: noir
- Film Noir FAQ: A great new book on Film Noir
- The Unreliable Narrator: Caligari, Rashomon, and the art of the B-Movie
- The Big Knife (1955): Bore me deadly
- Noir Poet – Kenneth Fearing: “appeals urged across kitchen tables and the fury that shouts them down”
- Jigsaw (1949): “like the last act of Hamlet”
- Highway 301 (1950): “a straight exercise in low sadism”
- Marlowe: “I was neat, clean, shaved and sober, and I didn’t care who knew it.”
- Jean Valjean in the Shadows
- New FilmsNoir.Net Trailer
- Cinematic Cities: New York – The Noir Years
- La Bionda (The Blonde – Italy 1992)
barbara stanwyck Archive
-
No Man of Her Own (1950): Sudser or Noir?
Posted on May 30, 2012 | 2 Comments“Melodramatic tale in which a desperate...
