The Subversive Truth of Noir: The Breaking Point (1950)

BreakingPoint The Subversive Truth of Noir: The Breaking Point (1950)

The final image of The Breaking Point (1950), a great John Garfield film directed by Michael Curtiz, and to my mind infinitely superior to a film it is often compared to,  Howard Kawk’s over-rated To Have and Have Not (1944), is the most poignant and subversive image in all of noir.  The death of a decent black man is of no consequence:  his despairing boy ignored and left to discover the fate of his father alone – completely alone.
 

Related posts:

  1. Armored Car Robbery (1950): Solid B-Noir
  2. Panic In the Streets (1950): Neo-Realist Noir
  3. Night And the City (1950): A Near Perfect Noir
  4. Walk Softly, Stranger (1950): Romantic Noir
  5. Destination Murder (1950): The Alter-Ego and the Pianola