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	<title>Comments on: The Sound of Film Noir</title>
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	<link>http://filmsnoir.net/film_noir/the-sound-of-film-noir.html</link>
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		<title>By: Tony D'Ambra</title>
		<link>http://filmsnoir.net/film_noir/the-sound-of-film-noir.html/comment-page-1#comment-2186</link>
		<dc:creator>Tony D'Ambra</dc:creator>
		<pubDate>Thu, 23 Apr 2009 00:16:41 +0000</pubDate>
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		<description>Great quote Edward! Thanks.</description>
		<content:encoded><![CDATA[<p>Great quote Edward! Thanks.</p>
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		<title>By: Edward Yablonsky</title>
		<link>http://filmsnoir.net/film_noir/the-sound-of-film-noir.html/comment-page-1#comment-2183</link>
		<dc:creator>Edward Yablonsky</dc:creator>
		<pubDate>Wed, 22 Apr 2009 18:42:54 +0000</pubDate>
		<guid isPermaLink="false">http://filmsnoir.net/?p=2748#comment-2183</guid>
		<description>http://www.sfjazz.org/news/2006/2006_may_17.html

Eddie Muller&#039;s article is indeed interesting; thank you for the reference. The below quote relate jazz and 50&#039;s noirs. Jazz was accepted experimentally. Miles Davis&#039; score was improvised for Elevator to the Gallows.

Q: Are there any threads you see connecting this particular half-dozen films and their soundtracks?

A: They&#039;re all from the 1950s, when cultural changes and studio economics led to jazz being accepted, on a somewhat experimental basis, as viable for film scores. Jazz is an essential component of the films in this series, rather than being used to define one aspect of the mise-en-scene. As a group, these films disprove that jazz is ill-suited for film scores because of its improvisational nature. Miles Davis&#039;s score for Elevator to the Gallows is largely improvised, but Ellington&#039;s score for Anatomy of a Murder and John Lewis&#039;s &quot;third stream&quot; score for Odds Against Tomorrow are tightly-composed. In general, and in these films specifically, jazz is used to evoke a mood rather than to manipulate the audience to feel a certain emotion. It takes confident directors to do that.</description>
		<content:encoded><![CDATA[<p><a href="http://www.sfjazz.org/news/2006/2006_may_17.html" rel="nofollow">http://www.sfjazz.org/news/2006/2006_may_17.html</a></p>
<p>Eddie Muller&#8217;s article is indeed interesting; thank you for the reference. The below quote relate jazz and 50&#8242;s noirs. Jazz was accepted experimentally. Miles Davis&#8217; score was improvised for Elevator to the Gallows.</p>
<p>Q: Are there any threads you see connecting this particular half-dozen films and their soundtracks?</p>
<p>A: They&#8217;re all from the 1950s, when cultural changes and studio economics led to jazz being accepted, on a somewhat experimental basis, as viable for film scores. Jazz is an essential component of the films in this series, rather than being used to define one aspect of the mise-en-scene. As a group, these films disprove that jazz is ill-suited for film scores because of its improvisational nature. Miles Davis&#8217;s score for Elevator to the Gallows is largely improvised, but Ellington&#8217;s score for Anatomy of a Murder and John Lewis&#8217;s &#8220;third stream&#8221; score for Odds Against Tomorrow are tightly-composed. In general, and in these films specifically, jazz is used to evoke a mood rather than to manipulate the audience to feel a certain emotion. It takes confident directors to do that.</p>
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	<item>
		<title>By: Tony D'Ambra</title>
		<link>http://filmsnoir.net/film_noir/the-sound-of-film-noir.html/comment-page-1#comment-2124</link>
		<dc:creator>Tony D'Ambra</dc:creator>
		<pubDate>Wed, 08 Apr 2009 22:18:53 +0000</pubDate>
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		<description>Thank you Edward, Dcd, and Jon for your comments and the noir music links.</description>
		<content:encoded><![CDATA[<p>Thank you Edward, Dcd, and Jon for your comments and the noir music links.</p>
]]></content:encoded>
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		<title>By: Dcd</title>
		<link>http://filmsnoir.net/film_noir/the-sound-of-film-noir.html/comment-page-1#comment-2123</link>
		<dc:creator>Dcd</dc:creator>
		<pubDate>Wed, 08 Apr 2009 15:13:01 +0000</pubDate>
		<guid isPermaLink="false">http://filmsnoir.net/?p=2748#comment-2123</guid>
		<description>Oops!...I did mispell his last name...it is &lt;b&gt;Haden...Charlie Haden&#039;...&lt;/b&gt;

I&#039;am so sorry about that!...
Dcd ;)</description>
		<content:encoded><![CDATA[<p>Oops!&#8230;I did mispell his last name&#8230;it is <b>Haden&#8230;Charlie Haden&#8217;&#8230;</b></p>
<p>I&#8217;am so sorry about that!&#8230;<br />
Dcd ;)</p>
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		<title>By: Dcd</title>
		<link>http://filmsnoir.net/film_noir/the-sound-of-film-noir.html/comment-page-1#comment-2122</link>
		<dc:creator>Dcd</dc:creator>
		<pubDate>Wed, 08 Apr 2009 15:08:48 +0000</pubDate>
		<guid isPermaLink="false">http://filmsnoir.net/?p=2748#comment-2122</guid>
		<description>Hi! Tony,
Btw,
Below is a very interesting link to a site where author Eddie Muller, is discussing &lt;b&gt;&quot;Jazz, Film noir and Charlie Hayden (I may have &quot;mispelled&quot; his last name...
Haydn?!?)...among other things too!...I alway seems to
reference this article when the subject of Jazz and Film noir are mentioned in the same breath...Plus, this article is &quot;featured&quot; on my website, under what else?!? &lt;b&gt;&quot;Film Noir and Jazz Music&quot;&lt;/b&gt;...Personally,
I find his (author Eddie Muller) &quot;insight&quot; about Jazz, film noir and S.F very interesting.

http://www.sfjazz.org/news/2006/2006_may_17.html
Dcd ;)</description>
		<content:encoded><![CDATA[<p>Hi! Tony,<br />
Btw,<br />
Below is a very interesting link to a site where author Eddie Muller, is discussing <b>&#8220;Jazz, Film noir and Charlie Hayden (I may have &#8220;mispelled&#8221; his last name&#8230;<br />
Haydn?!?)&#8230;among other things too!&#8230;I alway seems to<br />
reference this article when the subject of Jazz and Film noir are mentioned in the same breath&#8230;Plus, this article is &#8220;featured&#8221; on my website, under what else?!? </b><b>&#8220;Film Noir and Jazz Music&#8221;</b>&#8230;Personally,<br />
I find his (author Eddie Muller) &#8220;insight&#8221; about Jazz, film noir and S.F very interesting.</p>
<p><a href="http://www.sfjazz.org/news/2006/2006_may_17.html" rel="nofollow">http://www.sfjazz.org/news/2006/2006_may_17.html</a><br />
Dcd ;)</p>
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		<title>By: Jon Knowles</title>
		<link>http://filmsnoir.net/film_noir/the-sound-of-film-noir.html/comment-page-1#comment-2121</link>
		<dc:creator>Jon Knowles</dc:creator>
		<pubDate>Wed, 08 Apr 2009 14:41:22 +0000</pubDate>
		<guid isPermaLink="false">http://filmsnoir.net/?p=2748#comment-2121</guid>
		<description>Then there&#039;s always this little gem which also include great gobbets of dialogue in addition to the scores:

http://www.amazon.com/Murder-My-Beat-Classic-Themes/dp/B00123NWF4/ref=sr_f3_1?ie=UTF8&amp;s=dmusic&amp;qid=1239201579&amp;sr=103-1

I bought it and loved it!</description>
		<content:encoded><![CDATA[<p>Then there&#8217;s always this little gem which also include great gobbets of dialogue in addition to the scores:</p>
<p><a href="http://www.amazon.com/Murder-My-Beat-Classic-Themes/dp/B00123NWF4/ref=sr_f3_1?ie=UTF8&#038;s=dmusic&#038;qid=1239201579&#038;sr=103-1" rel="nofollow">http://www.amazon.com/Murder-My-Beat-Classic-Themes/dp/B00123NWF4/ref=sr_f3_1?ie=UTF8&#038;s=dmusic&#038;qid=1239201579&#038;sr=103-1</a></p>
<p>I bought it and loved it!</p>
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	<item>
		<title>By: Dcd</title>
		<link>http://filmsnoir.net/film_noir/the-sound-of-film-noir.html/comment-page-1#comment-2120</link>
		<dc:creator>Dcd</dc:creator>
		<pubDate>Wed, 08 Apr 2009 12:58:13 +0000</pubDate>
		<guid isPermaLink="false">http://filmsnoir.net/?p=2748#comment-2120</guid>
		<description>Hi! Tony,
On my website,(That is undergoing semi-reno(vation) not my blogs &quot;mind you,&quot; but of course not!...I features links to Jazz websites and the sites that focus on the Jazz connection to Film noir.

Personally, I Know people who can do without &lt;i&gt;&quot;Jazz&quot;&lt;/i&gt; and the &lt;i&gt;&quot;Film noir connection.&quot;&lt;/i&gt; and they have asked  me not to &quot;focus&quot; on it!

But, then why do I focus
on it? 
Because I know there are a lot people out there that like listening to that kind of music (Jazz music).

Dcd ;)</description>
		<content:encoded><![CDATA[<p>Hi! Tony,<br />
On my website,(That is undergoing semi-reno(vation) not my blogs &#8220;mind you,&#8221; but of course not!&#8230;I features links to Jazz websites and the sites that focus on the Jazz connection to Film noir.</p>
<p>Personally, I Know people who can do without <i>&#8220;Jazz&#8221;</i> and the <i>&#8220;Film noir connection.&#8221;</i> and they have asked  me not to &#8220;focus&#8221; on it!</p>
<p>But, then why do I focus<br />
on it?<br />
Because I know there are a lot people out there that like listening to that kind of music (Jazz music).</p>
<p>Dcd ;)</p>
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	</item>
	<item>
		<title>By: Edward Yablonsky</title>
		<link>http://filmsnoir.net/film_noir/the-sound-of-film-noir.html/comment-page-1#comment-2119</link>
		<dc:creator>Edward Yablonsky</dc:creator>
		<pubDate>Wed, 08 Apr 2009 09:06:40 +0000</pubDate>
		<guid isPermaLink="false">http://filmsnoir.net/?p=2748#comment-2119</guid>
		<description>http://www.amazon.com/gp/product/B000QVCX1W/ref=dm_dp_trk15

I have always been enthralled by The Mask of Demetrios and now the sound tracvk for .89 as an mp3 download from Amazon along with scores of other downloads. How can I resist such a bargain? The music infectious and captivating and transoportive to the era and mood.</description>
		<content:encoded><![CDATA[<p><a href="http://www.amazon.com/gp/product/B000QVCX1W/ref=dm_dp_trk15" rel="nofollow">http://www.amazon.com/gp/product/B000QVCX1W/ref=dm_dp_trk15</a></p>
<p>I have always been enthralled by The Mask of Demetrios and now the sound tracvk for .89 as an mp3 download from Amazon along with scores of other downloads. How can I resist such a bargain? The music infectious and captivating and transoportive to the era and mood.</p>
]]></content:encoded>
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