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The Lady From Shanghai (1947): “Then the beasts took to eating each other”

The Lady From Shanghai (1948)“Do you know…
once, off the hump of Brazil…
I saw the ocean so darkened with blood it was black…
…and the sun fainting away over the lip of the sky.
We´d put in at Fortaleza…
and a few of us had lines out for a bit of idle fishing.
It was me had the first strike.
A shark it was.
Then there was another.
And another shark again.
Till all about, the sea was made of sharks…
and more sharks still.
And no water at all.
My shark had torn himself from the hook…
and the scent or maybe the stain it was, and him bleeding his life away…
drove the rest of them mad.

Then the beasts took to eating each other.
In their frenzy…
they ate at themselves.
You could feel the lust of murder like a wind stinging your eyes.
And you could smell the death reeking up out of the sea.
I never saw anything worse…
until this little picnic tonight.
And you know…
there wasn´t one of them sharks in the whole crazy pack that survived.
l´ll be leaving you now.

George, that´s the first time..
anyone ever thought enough of you to call you a shark.
If you were a good lawyer, you´d be flattered.”

The Lady From Shanghai (1948)The Lady From Shanghai (1948)

A brilliant jigsaw of a film noir from Orsone Welles, with a femme-fatale to die for, and a script so sharp and witty, you relish every scene. You can watch it again and again, and find something new each time.

The long yacht voyage is used to both develop the characters and as a homage to Hayworth’s beauty and the eternal feminine in the flesh and in nature.

The Lady From Shanghai (1948)The Lady From Shanghai (1948)The Lady From Shanghai (1948)The Lady From Shanghai (1948)

The climactic confrontation and shootout at the end in an amusement park mirror-maze is breath-taking. The restored print available on the DVD is so sharp that it is hard to believe the picture was shot 6o years ago.

The Lady From Shanghai (1948)The Lady From Shanghai (1948)

To be savoured with patience and your full attention.

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> Articles, Films, Lobby — Tony D'Ambra @ 7:48 am

October 27, 2007


2 Comments »

  1. [...] the emergence of protagonists with pronounced psychoses: The Big Sleep (1945), Gilda (1946), and The Lady From Shanghai (1947). Within the noir series Gilda was a film apart, an almost unclassifiable movie in which [...]

    Pingback by film noir movie reviews directors books articles posters frames trailers dvds — January 1, 2008 @ 11:48 am

  2. [...] the emergence of protagonists with pronounced psychoses: The Big Sleep (1945), Gilda (1946), and The Lady From Shanghai [...]

    Pingback by film noir movie reviews directors books articles posters frames trailers dvds — March 19, 2008 @ 4:42 am

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