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The Killing (1956) – Great But Not Noir

The Killing (1956)
Stanley Kubrick’s The Killing is a great movie but it is not a film noir. Essentially it is a classic heist gone wrong story filmed in noir style. The view expressed in Steven H.Scheuer’s Movies on TV (1993-94) though brutal is fair: “Crooks plan a daring race-track robbery. Direction by Stanley Kubrick, a newcomer at the time, is unnecessarily arty but interesting.”

The Killing (1956)

For me the most interesting scene is in the Chess parlor where the caper’s mastermind played by Sterling Hayden, recruits a heavy to start a distracting bar-room brawl at the track. The heavy is played by Nicholas (‘Kola’) Kwariani, a professional wrestler and wrestling promoter, and dedicated chess player who frequented “The Flea House” in New York City, which is also where this recruitment scene was filmed. As far as I know this was his only screen appearance ever!

The Killing (1956)

Kwariani has the best lines in the movie, and delivers them with a thick Eastern European accent and a perfect world-weary understanding of exactly what he is saying :

Johnny Clay (Sterling Hayden)
Maurice Oboukhoff (Kola Kwariani)

Johnny: Good game, Maurice?

Maurice: Johnny, my old friend. How are you?
Good to see you. Been a long time, eh?
How long have you been out?

Johnny: Not long.

Maurice: It was difficult, no?

Johnny: Yeah.

Maurice: Very difficult.
You have my sympathies, Johnny.
You have not yet learned that you have to be like everyone else.
The perfect mediocrity.
No better, no worse.

Individuality is a monster, and it must be strangled in its cradle to make our friends feel comfortable.

You know, I often thought that the gangster and the artist are the same in the eyes of the masses. They’re admired and hero-worshipped, but there is always present an underlying wish to see them destroyed at the peak of their glory.

Johnny: Yeah…

Download the full dialog transcript of the screenplay from Drew’s Script-O-Rama.

> Articles, Films, Lobby — Tony D'Ambra @ 9:25 am

July 20, 2007


2 Comments »

  1. [...] The Killing (1956) (Jan. 8): Sterling Hayden masterminds a racetrack robbery in Stanley Kubrick’s classic heist thriller. [...]

    Pingback by film noir » Kansas City Library Goes Noir — December 27, 2007 @ 10:00 am

  2. “The Killing” offers one of a hand full of appropriately dismal–but most memorable–endings in noir/crime film history. The nonlinear, fragmented narrative definitely seems to have inspired more recent filmmakers including the likes of Tarantino with “Pulp Fiction.” Though perhaps belonging more to the crime-caper category, “The Killing’s” noirish elements and downbeat ending have always made me add it to the list of my top ten films noir.

    Comment by Oliver — May 7, 2009 @ 6:48 am

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