Comments on: Port of New York (1949): Cut-out Cops http://filmsnoir.net/film_noir/port-of-new-york-1949-cut-out-cops.html filmsnoir.net: an oasis of noir in a desert of banality Tue, 22 May 2012 00:00:02 +0000 hourly 1 http://wordpress.org/?v= By: Alexander Coleman http://filmsnoir.net/film_noir/port-of-new-york-1949-cut-out-cops.html/comment-page-1#comment-1874 Alexander Coleman Tue, 10 Feb 2009 18:33:40 +0000 http://filmsnoir.net/?p=2410#comment-1874 Thanks to Dark City Dame, I just recently had he opportunity to see this myself and enjoyed it quite a bit. I believe you have nailed it, Tony. Good piece on this. Thanks to Dark City Dame, I just recently had he opportunity to see this myself and enjoyed it quite a bit. I believe you have nailed it, Tony. Good piece on this.

]]> By: Entertainment Business http://filmsnoir.net/film_noir/port-of-new-york-1949-cut-out-cops.html/comment-page-1#comment-1873 Entertainment Business Tue, 10 Feb 2009 15:23:06 +0000 http://filmsnoir.net/?p=2410#comment-1873 "Port of New York" one of the crime oriented movies of 1940's . The review presented was excellent. Especially the poster is really great. Georgina “Port of New York” one of the crime oriented movies of 1940′s . The review presented was excellent. Especially the poster is really great.

Georgina

]]> By: Sam Juliano http://filmsnoir.net/film_noir/port-of-new-york-1949-cut-out-cops.html/comment-page-1#comment-1869 Sam Juliano Mon, 09 Feb 2009 17:00:19 +0000 http://filmsnoir.net/?p=2410#comment-1869 When I looked at this title and poster at a glance I was somehow envisioning the Von Sternberg film, which of course had a similar title--Docks of New York--but no, lamentably I do not remember seeing this Laslo Benedek movie. Of course, Benedek's DEATH OF A SALESMAN is quite a salient piece, as is to a lesser extent THE WILD ONE with Marlon Brando. George Diskant's camerawork and that intermittantly classical score are surely intriguing for me as is of course the cinema-verite approach of the piece. You say a lot there in this fine capsule. When I looked at this title and poster at a glance I was somehow envisioning the Von Sternberg film, which of course had a similar title–Docks of New York–but no, lamentably I do not remember seeing this Laslo Benedek movie. Of course, Benedek’s DEATH OF A SALESMAN is quite a salient piece, as is to a lesser extent THE WILD ONE with Marlon Brando. George Diskant’s camerawork and that intermittantly classical score are surely intriguing for me as is of course the cinema-verite approach of the piece. You say a lot there in this fine capsule.

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