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	<title>Comments on: Noir More Dark Than Black</title>
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	<link>http://filmsnoir.net/film_noir/noir-more-dark-than-black.html</link>
	<description>Films Noir: all about film noir</description>
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		<title>By: Jim</title>
		<link>http://filmsnoir.net/film_noir/noir-more-dark-than-black.html/comment-page-1#comment-20</link>
		<dc:creator>Jim</dc:creator>
		<pubDate>Sun, 15 Jul 2007 12:21:10 +0000</pubDate>
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		<description>I think you make an excellent point here. When I was framing this I guess I was thinking Noir in relationship to a figure like Charles Foster Kane or some of the larger biopic pictures that have the great individual as their central character.  Wilder&#039;s quote frames these characters not so much as marginal as he does average or middle-class. Yet, I&#039;m not so sure that Walter Neff comes across as your average Joe. I think the same can be said of the &quot;protagonists&quot; from Out of the Past and Kiss Me Deadly for sure, all of these &quot;protagonists&quot; are anything but everyday middle-class Americans. Think about Walter Neff, he isn&#039;t married with a happy nuclear family, his apartment is rather modest, and his first encounter with Phyllis is a bit steamier and more dynamic than what you might expect from &quot;Mr. Smith Goes to Washington.&quot; As to the complexity of these characters, I couldn&#039;t agree with you more. What attracts me to the Noir is that it takes the marginal, or &quot;middle-class,&quot; figure and gives you a look at their inner-working in some really gripping ways. Also, it systematically demystifies any sense of their normality, or a concept of normality more generally.

In short, though, this is a great site and you have no idea how much I have enjoyed looking through your archives. I also want to thank you for engaging in a focused discussion about Noir -I can&#039;t think of anything more worthwhile and entertaining. I have a bunch to say about both Out of the Past and Kiss Me Deadly, so I imagine their will be many more conversations to come!

Thanks.</description>
		<content:encoded><![CDATA[<p>I think you make an excellent point here. When I was framing this I guess I was thinking Noir in relationship to a figure like Charles Foster Kane or some of the larger biopic pictures that have the great individual as their central character.  Wilder&#8217;s quote frames these characters not so much as marginal as he does average or middle-class. Yet, I&#8217;m not so sure that Walter Neff comes across as your average Joe. I think the same can be said of the &#8220;protagonists&#8221; from Out of the Past and Kiss Me Deadly for sure, all of these &#8220;protagonists&#8221; are anything but everyday middle-class Americans. Think about Walter Neff, he isn&#8217;t married with a happy nuclear family, his apartment is rather modest, and his first encounter with Phyllis is a bit steamier and more dynamic than what you might expect from &#8220;Mr. Smith Goes to Washington.&#8221; As to the complexity of these characters, I couldn&#8217;t agree with you more. What attracts me to the Noir is that it takes the marginal, or &#8220;middle-class,&#8221; figure and gives you a look at their inner-working in some really gripping ways. Also, it systematically demystifies any sense of their normality, or a concept of normality more generally.</p>
<p>In short, though, this is a great site and you have no idea how much I have enjoyed looking through your archives. I also want to thank you for engaging in a focused discussion about Noir -I can&#8217;t think of anything more worthwhile and entertaining. I have a bunch to say about both Out of the Past and Kiss Me Deadly, so I imagine their will be many more conversations to come!</p>
<p>Thanks.</p>
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