<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Night And the City (1950): A Near Perfect Noir</title>
	<atom:link href="http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html/feed" rel="self" type="application/rss+xml" />
	<link>http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html</link>
	<description>filmsnoir.net: an oasis of noir in a desert of banality</description>
	<lastBuildDate>Sun, 05 Feb 2012 20:50:33 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=</generator>
	<item>
		<title>By: All Time Greatest Films Noir By FilmsNoir.Net &#124; film noir</title>
		<link>http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html/comment-page-1#comment-8175</link>
		<dc:creator>All Time Greatest Films Noir By FilmsNoir.Net &#124; film noir</dc:creator>
		<pubDate>Sat, 11 Jun 2011 10:33:04 +0000</pubDate>
		<guid isPermaLink="false">http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html#comment-8175</guid>
		<description>[...] Night And the City [...]</description>
		<content:encoded><![CDATA[<p>[...] Night And the City [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: The Green Cockatoo (UK 1937 65min): The Seeds of British Noir &#124; film noir</title>
		<link>http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html/comment-page-1#comment-4238</link>
		<dc:creator>The Green Cockatoo (UK 1937 65min): The Seeds of British Noir &#124; film noir</dc:creator>
		<pubDate>Thu, 02 Dec 2010 04:57:00 +0000</pubDate>
		<guid isPermaLink="false">http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html#comment-4238</guid>
		<description>[...] noir] commitment to the boiled-down essentials of the crime genre”.  Max Green, who later lensed Night and the City (1950) for Jules Dassin, is DP and the film’s score was one of the first from Miklós [...]</description>
		<content:encoded><![CDATA[<p>[...] noir] commitment to the boiled-down essentials of the crime genre”.  Max Green, who later lensed Night and the City (1950) for Jules Dassin, is DP and the film’s score was one of the first from Miklós [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tony D'Ambra</title>
		<link>http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html/comment-page-1#comment-2759</link>
		<dc:creator>Tony D'Ambra</dc:creator>
		<pubDate>Thu, 31 Dec 2009 09:31:16 +0000</pubDate>
		<guid isPermaLink="false">http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html#comment-2759</guid>
		<description>Thanks for that capsule background on Dassin futurestar.</description>
		<content:encoded><![CDATA[<p>Thanks for that capsule background on Dassin futurestar.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: futurestar</title>
		<link>http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html/comment-page-1#comment-2758</link>
		<dc:creator>futurestar</dc:creator>
		<pubDate>Wed, 30 Dec 2009 23:50:16 +0000</pubDate>
		<guid isPermaLink="false">http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html#comment-2758</guid>
		<description>Jules Dassin showed a natural proclivity and panache for &#039;film noir&#039; with his sharp direction of Brute Force, The Naked City, and Thieves&#039; Highway. Then the Red Scare starting black listing creative artistry with a bend. Life was made miserable for him in three continents, but he still went on to make two of the best &#039;crime noir&#039; films ever - Night And The City and Rififi. In the annals of classic cinema Jules Dassin went to be revered as a god. He died at the top of his game with world recognition, a wicked smile, and best films resurrected to pristine condition with historical supplemental support. Long live his celluloid visions.</description>
		<content:encoded><![CDATA[<p>Jules Dassin showed a natural proclivity and panache for &#8216;film noir&#8217; with his sharp direction of Brute Force, The Naked City, and Thieves&#8217; Highway. Then the Red Scare starting black listing creative artistry with a bend. Life was made miserable for him in three continents, but he still went on to make two of the best &#8216;crime noir&#8217; films ever &#8211; Night And The City and Rififi. In the annals of classic cinema Jules Dassin went to be revered as a god. He died at the top of his game with world recognition, a wicked smile, and best films resurrected to pristine condition with historical supplemental support. Long live his celluloid visions.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tony D'Ambra</title>
		<link>http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html/comment-page-1#comment-359</link>
		<dc:creator>Tony D'Ambra</dc:creator>
		<pubDate>Sun, 06 Apr 2008 05:06:25 +0000</pubDate>
		<guid isPermaLink="false">http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html#comment-359</guid>
		<description>An excellent tribute to Dassin’s film-making and social activism has been posted by David Walsh of wsws.org: http://www.wsws.org/articles/2008/apr2008/dass-a03.shtml</description>
		<content:encoded><![CDATA[<p>An excellent tribute to Dassin’s film-making and social activism has been posted by David Walsh of wsws.org: <a href="http://www.wsws.org/articles/2008/apr2008/dass-a03.shtml" rel="nofollow">http://www.wsws.org/articles/2008/apr2008/dass-a03.shtml</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: film noir movie reviews directors books articles posters frames trailers dvds</title>
		<link>http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html/comment-page-1#comment-357</link>
		<dc:creator>film noir movie reviews directors books articles posters frames trailers dvds</dc:creator>
		<pubDate>Sun, 06 Apr 2008 04:59:52 +0000</pubDate>
		<guid isPermaLink="false">http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html#comment-357</guid>
		<description>[...] Check out my reviews of Thieves&#8217; Highway, Rififi and Night And the City. [...]</description>
		<content:encoded><![CDATA[<p>[...] Check out my reviews of Thieves&#8217; Highway, Rififi and Night And the City. [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tony D'Ambra</title>
		<link>http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html/comment-page-1#comment-352</link>
		<dc:creator>Tony D'Ambra</dc:creator>
		<pubDate>Sun, 06 Apr 2008 04:31:03 +0000</pubDate>
		<guid isPermaLink="false">http://filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html#comment-352</guid>
		<description>After completing Thieves&#039; Highway, according to an article bySandra Berg in 2002(?):

“‘Everyone heard that subpoenas were being handed out,’ says actor-producer Norman Lloyd, remembering one fateful night in 1949. ‘Dassin lived on Bronson, and there was a knock on Jules’ front door. Julie answered to find Darryl Zanuck [head of 20th Century Fox], who said, “You better get out of town.” He gave him the assignment to direct Night and the City in London. It was unheard of to have a studio executive come in person like that and try to help.’

“Dassin has never forgotten that experience: ‘Zanuck said, “You’re going to England. Get a fucking script done, begin shooting, start with the most expensive scenes and they won’t fire you, because it’s probably going to be the last picture you’re ever going to make.” I liked Darryl Zanuck! While I was working on the script, Zanuck called me and said, “I want you to write in a part for Gene Tierney. She’s going through hell, and she’s a good kid. Save her.” So I wrote her a part. She was at the end of her career. This was a side to Zanuck that people didn’t know.’”</description>
		<content:encoded><![CDATA[<p>After completing Thieves&#8217; Highway, according to an article bySandra Berg in 2002(?):</p>
<p>“‘Everyone heard that subpoenas were being handed out,’ says actor-producer Norman Lloyd, remembering one fateful night in 1949. ‘Dassin lived on Bronson, and there was a knock on Jules’ front door. Julie answered to find Darryl Zanuck [head of 20th Century Fox], who said, “You better get out of town.” He gave him the assignment to direct Night and the City in London. It was unheard of to have a studio executive come in person like that and try to help.’</p>
<p>“Dassin has never forgotten that experience: ‘Zanuck said, “You’re going to England. Get a fucking script done, begin shooting, start with the most expensive scenes and they won’t fire you, because it’s probably going to be the last picture you’re ever going to make.” I liked Darryl Zanuck! While I was working on the script, Zanuck called me and said, “I want you to write in a part for Gene Tierney. She’s going through hell, and she’s a good kid. Save her.” So I wrote her a part. She was at the end of her career. This was a side to Zanuck that people didn’t know.’”</p>
]]></content:encoded>
	</item>
</channel>
</rss>
<!-- This Quick Cache file was built for (  filmsnoir.net/film_noir/night-and-the-city-1950-a-near-perfect-noir.html/feed ) in 10.81073 seconds, on Feb 9th, 2012 at 1:20 am UTC. -->
<!-- This Quick Cache file will automatically expire ( and be re-built automatically ) on Feb 9th, 2012 at 2:20 am UTC -->
