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	<title>Comments on: Electric nightmares in dark empty warehouses&#8230;</title>
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	<link>http://filmsnoir.net/film_noir/electric-nightmares-in-dark-empty-warehouses.html</link>
	<description>filmsnoir.net: an oasis of noir in a desert of banality</description>
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		<title>By: Tony D'Ambra</title>
		<link>http://filmsnoir.net/film_noir/electric-nightmares-in-dark-empty-warehouses.html/comment-page-1#comment-2448</link>
		<dc:creator>Tony D'Ambra</dc:creator>
		<pubDate>Tue, 13 Oct 2009 06:41:42 +0000</pubDate>
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		<description>Thanks Sam!</description>
		<content:encoded><![CDATA[<p>Thanks Sam!</p>
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		<title>By: Tuesday Morning Diary (October 13) &#171; Wonders in the Dark</title>
		<link>http://filmsnoir.net/film_noir/electric-nightmares-in-dark-empty-warehouses.html/comment-page-1#comment-2447</link>
		<dc:creator>Tuesday Morning Diary (October 13) &#171; Wonders in the Dark</dc:creator>
		<pubDate>Tue, 13 Oct 2009 05:55:24 +0000</pubDate>
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		<description>[...] Tony d&#8217;Ambra&#8217;s latest very accomplished sensory piece is up at FilmsNoir.net: http://filmsnoir.net/film_noir/electric-nightmares-in-dark-empty-warehouses.html David Schleicher&#8217;s fabulous new piece on the 90&#8217;s and The Sweet Hereafter is still up [...]</description>
		<content:encoded><![CDATA[<p>[...] Tony d&#8217;Ambra&#8217;s latest very accomplished sensory piece is up at FilmsNoir.net: <a href="http://filmsnoir.net/film_noir/electric-nightmares-in-dark-empty-warehouses.html" rel="nofollow">http://filmsnoir.net/film_noir/electric-nightmares-in-dark-empty-warehouses.html</a> David Schleicher&#8217;s fabulous new piece on the 90&#8217;s and The Sweet Hereafter is still up [...]</p>
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		<title>By: Sam Juliano</title>
		<link>http://filmsnoir.net/film_noir/electric-nightmares-in-dark-empty-warehouses.html/comment-page-1#comment-2446</link>
		<dc:creator>Sam Juliano</dc:creator>
		<pubDate>Tue, 13 Oct 2009 00:22:07 +0000</pubDate>
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		<description>Your sensory, descriptive pieces are really in a class by themselves.  You basically bring the person into the setting as an active participant. &quot;The rotting planks,&quot; &quot;the running figure,&quot; &quot;the bent outline of a fugitive running along a wharf&quot; can alll be suddenly recalled vividly from this superlative prose.</description>
		<content:encoded><![CDATA[<p>Your sensory, descriptive pieces are really in a class by themselves.  You basically bring the person into the setting as an active participant. &#8220;The rotting planks,&#8221; &#8220;the running figure,&#8221; &#8220;the bent outline of a fugitive running along a wharf&#8221; can alll be suddenly recalled vividly from this superlative prose.</p>
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		<title>By: Tony D'Ambra</title>
		<link>http://filmsnoir.net/film_noir/electric-nightmares-in-dark-empty-warehouses.html/comment-page-1#comment-2437</link>
		<dc:creator>Tony D'Ambra</dc:creator>
		<pubDate>Sun, 11 Oct 2009 00:58:22 +0000</pubDate>
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		<description>DeeDee, you will have to wait for the next installment..</description>
		<content:encoded><![CDATA[<p>DeeDee, you will have to wait for the next installment..</p>
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		<title>By: DeeDee</title>
		<link>http://filmsnoir.net/film_noir/electric-nightmares-in-dark-empty-warehouses.html/comment-page-1#comment-2436</link>
		<dc:creator>DeeDee</dc:creator>
		<pubDate>Sat, 10 Oct 2009 17:59:19 +0000</pubDate>
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		<description>Hi! Tony,
&lt;i&gt;Tony said, “The harsh fevered intersecting headlights of the squad cars survey the scene revealing nothing.&quot;&lt;/i&gt;

What a very interesting short writing with all the noir elements in place, but excuse me for sounding &lt;i&gt;&quot;dense,&quot;&lt;/i&gt; but I wonder why was nothing reveal after all the previous &lt;i&gt;commotion&lt;/i&gt; or &lt;i&gt;happening on the pier? &lt;/i&gt;
Thanks, for sharing...&lt;i&gt;as usual.&lt;/i&gt;

DeeDee :)</description>
		<content:encoded><![CDATA[<p>Hi! Tony,<br />
<i>Tony said, “The harsh fevered intersecting headlights of the squad cars survey the scene revealing nothing.&#8221;</i></p>
<p>What a very interesting short writing with all the noir elements in place, but excuse me for sounding <i>&#8220;dense,&#8221;</i> but I wonder why was nothing reveal after all the previous <i>commotion</i> or <i>happening on the pier? </i><br />
Thanks, for sharing&#8230;<i>as usual.</i></p>
<p>DeeDee :)</p>
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