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	<title>film noir &#187; Producers</title>
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	<description>Films Noir: all about film noir</description>
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		<title>Prefiguring Postmodernism: Flashback in Film Noir</title>
		<link>http://filmsnoir.net/film_noir/prefiguring-postmodernism-flashback-in-film-noir.html</link>
		<comments>http://filmsnoir.net/film_noir/prefiguring-postmodernism-flashback-in-film-noir.html#comments</comments>
		<pubDate>Mon, 06 Sep 2010 13:03:37 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<category><![CDATA[Films]]></category>
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<category>crossfire</category><category>film noir</category><category>flashback</category><category>murder-my-sweet</category><category>rko</category><category>veterans</category><category>war</category>
		<guid isPermaLink="false">http://filmsnoir.net/?p=4867</guid>
		<description><![CDATA[I am currently reading a fascinating book on the career of activist Hollywood writer and producer,  Adrian Scott,  ‘Caught in the Crossfire: Adrian Scott and the Politics of Americanism in 1940s Hollywood’,  by Jennifer E. Langdon (2008 Columbia University Press),  which focuses on the production by Scott of three seminal RKO noirs, Murder, My Sweet [...]]]></description>
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		<slash:comments>6</slash:comments>
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		<title>The Naked City (1948): &#8220;There are 8 million stories&#8230; &#8220;</title>
		<link>http://filmsnoir.net/film_noir/the-naked-city-1948-there-are-8-million-stories.html</link>
		<comments>http://filmsnoir.net/film_noir/the-naked-city-1948-there-are-8-million-stories.html#comments</comments>
		<pubDate>Wed, 25 Feb 2009 11:14:26 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<category><![CDATA[Directors]]></category>
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<category>film-noir</category><category>films</category><category>jules-dassin</category><category>mark-hellinger</category><category>new-york</category>
		<guid isPermaLink="false">http://filmsnoir.net/?p=2467</guid>
		<description><![CDATA[Jules Dassin&#8217;s third major feature, The Naked City, is legendary for its cine-verite portrayal of the city of New York: on the streets and in deep focus, with a stunning climax on the Williamsburg bridge.  Deservedly, in 1949 William H. Daniels received an Academy Award for Best Black-and-White Cinematography and Paul Weatherwax  an Oscar for [...]]]></description>
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		<slash:comments>13</slash:comments>
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		<title>Val Lewton Screenplay Collection</title>
		<link>http://filmsnoir.net/film_noir/val-lewton-screenplay-collection.html</link>
		<comments>http://filmsnoir.net/film_noir/val-lewton-screenplay-collection.html#comments</comments>
		<pubDate>Mon, 29 Sep 2008 05:52:10 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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<category>film-noir</category><category>films</category><category>horror</category><category>screenplay</category><category>scripts</category><category>val-lewton</category>
		<guid isPermaLink="false">http://filmsnoir.net/?p=1612</guid>
		<description><![CDATA[When researching my previous post on The Seventh Victim (1943), I came across the site The Val Lewton Screenplay Collection, which has many of the scripts produced by Lewton and other interesting Lewton resources. A reminder too that on Amazon you can get the Val Lewton Horror Collection DVD Box Set with nine movies: Cat [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<title>The Seventh Victim (1943): &#8220;And all my pleasures are like yesterdays&#8221;</title>
		<link>http://filmsnoir.net/film_noir/the-seventh-victim-1943-and-all-my-pleasures-are-like-yesterdays.html</link>
		<comments>http://filmsnoir.net/film_noir/the-seventh-victim-1943-and-all-my-pleasures-are-like-yesterdays.html#comments</comments>
		<pubDate>Sat, 27 Sep 2008 13:09:30 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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<category>albert-dagostino</category><category>film-noir</category><category>films</category><category>horror</category><category>mark-robson</category><category>nicholas-musuraca</category><category>roy-webb</category><category>val-lewton</category>
		<guid isPermaLink="false">http://filmsnoir.net/?p=1598</guid>
		<description><![CDATA[A young woman travels to New York to find her older sister after she stops paying her tuition fees, and discovers a satanic cult is threatening her sister&#8217;s life. (1943 RKO. A Val Lewton production directed by Mark Robson 71 mins) Cinematography by Nicholas Musuraca Story and Screenplay by DeWitt Bodeen and Charles O&#8217;Neal Art [...]]]></description>
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		<slash:comments>8</slash:comments>
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		<title>Day Into Noir</title>
		<link>http://filmsnoir.net/film_noir/day-into-noir.html</link>
		<comments>http://filmsnoir.net/film_noir/day-into-noir.html#comments</comments>
		<pubDate>Mon, 14 May 2007 11:58:16 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<description><![CDATA[&#8220;Noir is premised on the audience&#8217;s need to see failure risked, courted, and sometimes won. Noir provided losing with a mystique.&#8221; An excellent article on film noir by author, Ann Douglas, from the March 2007 issue of Vanity Fair magazine with the discussion ranging from the psyche to the metaphysics of noir. Available on-line only [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Mark Hellinger</title>
		<link>http://filmsnoir.net/film_noir/mark-hellinger.html</link>
		<comments>http://filmsnoir.net/film_noir/mark-hellinger.html#comments</comments>
		<pubDate>Mon, 14 May 2007 11:18:01 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
				<category><![CDATA[Films]]></category>
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		<description><![CDATA[Brute Force (1946) The Killers (1947) The Naked City (1948) topsyWidgetPreload({ "url": "http%3A%2F%2Ffilmsnoir.net%2Ffilm_noir%2Fmark-hellinger.html", "style": "small", "title": "Mark Hellinger" });]]></description>
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		<slash:comments>0</slash:comments>
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