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FilmsNoir.Net
The complete film noir portal: movie reviews, articles, poetry & fiction, and noir news... -
Recent Posts
- Imperfect: Impressive New Indie Neo-Noir
- Cinematic Cities: Taxi to Nowhere
- So Dark the Night (1946): The Split Personality
- Film Noir Influences: The Raveonettes – Attack Of The Ghost Riders
- Film Noir Summary Reviews: Night Moves – From Paris to LA via Iverstown
- Deception (1946): Expressionist Noir Melodrama
- New Book – Film Noir: The Directors
- The House on 92nd Street (1945): Real Drama with a Solemn Purpose
- The Night Shift: Scene of the Crime
- At the Crossroads: Blind Alley (1939) and 13 East Street (UK 1952)
- Trouble Is My Business: Help Fund a Film Noir
- Film Noir Influences: Black Amour
- Mystery Streets: My Own Private Noir
- The Dark Clowns
- Film Noir Influences: Force Of Evil’s Black Empire
- The Noir Art of John Alton: The People Against O’Hara (1951)
- Future Noir: 21st Century Dubai
- Cinematic Cities: Shanghai (1934)
- New Noir Video: “Tony Mars A Case of Murphy’s Law”
- The New Killers
Producers Archive
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Prefiguring Postmodernism: Flashback in Film Noir
Posted on September 6, 2010 | 6 CommentsI am currently reading a fascinating... -
The Naked City (1948): “There are 8 million stories… “
Posted on February 25, 2009 | 13 CommentsJules Dassin’s third major feature, The... -
Val Lewton Screenplay Collection
Posted on September 29, 2008 | 4 CommentsWhen researching my previous post on... -
The Seventh Victim (1943): “And all my pleasures are like yesterdays”
Posted on September 27, 2008 | 9 CommentsA young woman travels to New...
