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FilmsNoir.Net
The complete film noir portal: movie reviews, articles, poetry & fiction, and noir news... -
Recent Posts
- Imperfect: Impressive New Indie Neo-Noir
- Cinematic Cities: Taxi to Nowhere
- So Dark the Night (1946): The Split Personality
- Film Noir Influences: The Raveonettes – Attack Of The Ghost Riders
- Film Noir Summary Reviews: Night Moves – From Paris to LA via Iverstown
- Deception (1946): Expressionist Noir Melodrama
- New Book – Film Noir: The Directors
- The House on 92nd Street (1945): Real Drama with a Solemn Purpose
- The Night Shift: Scene of the Crime
- At the Crossroads: Blind Alley (1939) and 13 East Street (UK 1952)
- Trouble Is My Business: Help Fund a Film Noir
- Film Noir Influences: Black Amour
- Mystery Streets: My Own Private Noir
- The Dark Clowns
- Film Noir Influences: Force Of Evil’s Black Empire
- The Noir Art of John Alton: The People Against O’Hara (1951)
- Future Noir: 21st Century Dubai
- Cinematic Cities: Shanghai (1934)
- New Noir Video: “Tony Mars A Case of Murphy’s Law”
- The New Killers
Films Archive
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Imperfect: Impressive New Indie Neo-Noir
Posted on May 17, 2012 | No CommentsMichael Tucker of finite-films.com has written and directed... -
So Dark the Night (1946): The Split Personality
Posted on May 2, 2012 | 2 CommentsAn early effort from director Joseph H. Lewis is a quintessential b-movie filmed in 3 weeks on a studio back-lot for less than 200 grand... -
Film Noir Summary Reviews: Night Moves – From Paris to LA via Iverstown
Posted on April 22, 2012 | 2 CommentsBob le Flambuer (France 1956) Herman... -
Deception (1946): Expressionist Noir Melodrama
Posted on April 14, 2012 | 2 CommentsIn Irving Rapper’s 1946 dark melodrama... -
New Book – Film Noir: The Directors
Posted on April 4, 2012 | 2 CommentsAnother book on film noir directors.... -
The House on 92nd Street (1945): Real Drama with a Solemn Purpose
Posted on March 31, 2012 | 1 CommentHenry Hathaway’s 1945 film The House on 92nd Street for 20th Century Fox was the first of the doco-noirs that presaged the gritty realism of Jules Dassin’s The Naked City in 1948... -
At the Crossroads: Blind Alley (1939) and 13 East Street (UK 1952)
Posted on March 17, 2012 | 2 Comments“Psychoanalysis has furnished the detective film... -
The Noir Art of John Alton: The People Against O’Hara (1951)
Posted on February 25, 2012 | 1 CommentJohn Alton’s cosmic framing for the... -
Born to Kill (1947): “a violent, ironic and macabre paroxysm”
Posted on January 26, 2012 | 3 CommentsThe weird story of a deranged con-artist and killer who marries into a wealthy San Francisco family, while told in the third person, reveals the thoughts and motivations of the central character, an attractive 30-something divorcee... -
Pickup (1951): Trash Noir
Posted on January 7, 2012 | 1 CommentPity the poor film noir blogger who has to sit through some pretty lousey movies for completeness sake. Hugo Haas' Pickup is such a film...
