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	<title>film noir &#187; Books</title>
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	<link>http://filmsnoir.net</link>
	<description>Films Noir: all about film noir</description>
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		<title>Noir Poets: Raymond Chandler</title>
		<link>http://filmsnoir.net/film_noir/noir-poets-raymond-chandler.html</link>
		<comments>http://filmsnoir.net/film_noir/noir-poets-raymond-chandler.html#comments</comments>
		<pubDate>Fri, 23 Jul 2010 00:48:25 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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<category>film noir</category><category>noir fiction</category><category>noir poetry</category><category>philip marlowe</category><category>robert mitchum</category>
		<guid isPermaLink="false">http://filmsnoir.net/?p=4481</guid>
		<description><![CDATA[It got darker. I thought; and thought in my mind moved with a kind of sluggish stealthiness, as if it was being watched by bitter and sadistic eyes. I thought of dead eyes looking at a moonless sky, with black blood at the corners of the mouths beneath them. I thought of nasty old women [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>The Origins of Noir: The Case for the Policier</title>
		<link>http://filmsnoir.net/films/the-origins-of-noir-the-case-for-the-policier.html</link>
		<comments>http://filmsnoir.net/films/the-origins-of-noir-the-case-for-the-policier.html#comments</comments>
		<pubDate>Sat, 03 Jul 2010 06:58:55 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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<category>black mask</category><category>film noir</category><category>films</category><category>poetic realism</category><category>pulp fiction</category>
		<guid isPermaLink="false">http://filmsnoir.net/?p=4316</guid>
		<description><![CDATA[“Renoir’s second talkie, La Nuit du carrefour (1932)— my all-time favorite French noir, and the sexiest movie he ever made&#8230;  his edgy adaptation of Georges Simenon’s Maigret at the Crossroads, filmed in a foggy suburb that vibrates with off-screen sounds and a mysterious Danish heroine (Winna Winifried), cries out for discovery.” - Jonathon Rosenbaum In 1931 Georges [...]]]></description>
		<wfw:commentRss>http://filmsnoir.net/films/the-origins-of-noir-the-case-for-the-policier.html/feed</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Cinematic Cities: “We all live in the city”</title>
		<link>http://filmsnoir.net/film_noir/cinematic-cities-we-all-live-in-the-city-3.html</link>
		<comments>http://filmsnoir.net/film_noir/cinematic-cities-we-all-live-in-the-city-3.html#comments</comments>
		<pubDate>Fri, 04 Jun 2010 03:39:08 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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<category>film</category><category>film noir</category><category>films</category><category>jim morrison</category><category>poetry</category><category>the doors</category>
		<guid isPermaLink="false">http://filmsnoir.net/?p=4226</guid>
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		<slash:comments>3</slash:comments>
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		<title>Christ in Concrete: Not on  Wall Street</title>
		<link>http://filmsnoir.net/film_noir/christ-in-concrete-not-on-wall-street.html</link>
		<comments>http://filmsnoir.net/film_noir/christ-in-concrete-not-on-wall-street.html#comments</comments>
		<pubDate>Sun, 04 Apr 2010 00:35:53 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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<category>film noir</category>
		<guid isPermaLink="false">http://filmsnoir.net/?p=3928</guid>
		<description><![CDATA[There is a certain irony in this excerpt from the novel by Italo-American Pietro Di Donato, Christ in Concrete (1939), a story of Italian immigrant building workers and their families in Brooklyn during the Depression. In 1949 a film adaptation of  the novel by director Edward Dmytryk, featured teeming tenements and residential streets shot with [...]]]></description>
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		<slash:comments>7</slash:comments>
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		<title>Raymond Chandler: True Noir</title>
		<link>http://filmsnoir.net/film_noir/raymond-chandler-true-noir.html</link>
		<comments>http://filmsnoir.net/film_noir/raymond-chandler-true-noir.html#comments</comments>
		<pubDate>Mon, 29 Mar 2010 10:31:48 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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<category>fillm noir</category><category>noir fiction</category><category>philip marlowe</category>
		<guid isPermaLink="false">http://filmsnoir.net/?p=3898</guid>
		<description><![CDATA[&#8220;Yet the darkest of Chandler now appears clean-cut. Chandler evoked the spirit of noir through mood-setting and language, not cheap graphic gore. Now work that is hailed as &#8216;dark&#8217; often seems close to putrid, almost unreadable&#8230;&#8221; - Mick Hume, &#8216;Watching the Detectives&#8217;, AIR Magazine, March 2010, p18. Last Friday marked the 50th anniversary of Raymond [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Film Noir: Forthcoming Books</title>
		<link>http://filmsnoir.net/film_noir/film-noir-forthcoming-books.html</link>
		<comments>http://filmsnoir.net/film_noir/film-noir-forthcoming-books.html#comments</comments>
		<pubDate>Thu, 25 Mar 2010 09:30:27 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=3879</guid>
		<description><![CDATA[The Film Noir Encyclopedia (new editon) Alain Silver; Elizabeth Ward; James Ursini; Robert Porfirio Release Date: May 13th, 2010  Pre-Order Film Noir, American Workers, and Postwar Hollywood (Working in the Americas) Prof. Dennis Broe Release Date: April 1st, 2010  Pre-Order Historical Dictionary of Film Noir Andrew Spicer Release Date: April 15th, 2010  Pre-Order topsyWidgetPreload({ "url": "http%3A%2F%2Ffilmsnoir.net%2Ffilm_noir%2Ffilm-noir-forthcoming-books.html", "style": "small", "title": "Film Noir: [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>David Goodis&#8230;To A Pulp</title>
		<link>http://filmsnoir.net/film_noir/david-goodis-to-a-pulp.html</link>
		<comments>http://filmsnoir.net/film_noir/david-goodis-to-a-pulp.html#comments</comments>
		<pubDate>Tue, 02 Mar 2010 11:07:53 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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<category>film noir</category><category>hard-boiled fiction</category><category>noir fiction</category>
		<guid isPermaLink="false">http://filmsnoir.net/?p=3775</guid>
		<description><![CDATA[David Goodis&#8230; To A Pulp, a film biography of noir writer David Goodis, premieres this Friday, March 5, in Philadelphia. For film-maker Larry Withers making the movie was a peak into the once-hidden life of his mother, Elaine Astor, who had previously been married to Goodis.  Read all about it at Mike Lipkin&#8217;s Noir Journal. [...]]]></description>
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		<slash:comments>16</slash:comments>
		</item>
		<item>
		<title>Cornell Woolrich: The shadows come from within</title>
		<link>http://filmsnoir.net/film_noir/cornell-woolrich-the-shadows-come-from-within.html</link>
		<comments>http://filmsnoir.net/film_noir/cornell-woolrich-the-shadows-come-from-within.html#comments</comments>
		<pubDate>Sat, 06 Feb 2010 07:28:08 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=3665</guid>
		<description><![CDATA[&#8220;I was left alone there a long time. I could see, all right, and know the things about me. My car was there at the curb, glistening in the dark, with a thin ripple of wet orange paint running down its hood in one place where the light from the doorway struck out at it. [...]]]></description>
		<wfw:commentRss>http://filmsnoir.net/film_noir/cornell-woolrich-the-shadows-come-from-within.html/feed</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
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		<title>W R Burnett: Master of noir imagery</title>
		<link>http://filmsnoir.net/film_noir/w-r-burnett-master-of-noir-imagery.html</link>
		<comments>http://filmsnoir.net/film_noir/w-r-burnett-master-of-noir-imagery.html#comments</comments>
		<pubDate>Mon, 01 Feb 2010 10:23:48 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=3629</guid>
		<description><![CDATA[From W.R. Burnett&#8217;s novel  The Asphalt Jungle (1949).  Notice how often the adjective &#8216;black&#8217; is used. &#8220;Dix made no comment and sat looking off across the wide black river, which moved sluggishly southward between its steep cement embankments toward its faraway union with the Mississippi. There was no moon, but the sky was cloudless and [...]]]></description>
		<wfw:commentRss>http://filmsnoir.net/film_noir/w-r-burnett-master-of-noir-imagery.html/feed</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Chandler on Cain: &#8220;Proust in greasy overalls&#8221;</title>
		<link>http://filmsnoir.net/film_noir/chandler-on-cain-proust-in-greasy-overalls.html</link>
		<comments>http://filmsnoir.net/film_noir/chandler-on-cain-proust-in-greasy-overalls.html#comments</comments>
		<pubDate>Sun, 31 Jan 2010 02:46:40 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=3618</guid>
		<description><![CDATA[&#8220;RAYMOND CHANDLER &#8221; LOS ANGELES TIMES Raymond Chandler wrote his publisher Alfred Knopf in February 1943: “I hope the day will come when I don’t have to ride around on Hammett and James Cain, like an organ grinder’s monkey. Hammett is all right. I give him everything. There were a lot of things he could [...]]]></description>
		<wfw:commentRss>http://filmsnoir.net/film_noir/chandler-on-cain-proust-in-greasy-overalls.html/feed</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Sweet Clover</title>
		<link>http://filmsnoir.net/film_noir/sweet-clover.html</link>
		<comments>http://filmsnoir.net/film_noir/sweet-clover.html#comments</comments>
		<pubDate>Tue, 26 Jan 2010 01:11:20 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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<category>film noir</category><category>films</category><category>noir fiction</category>
		<guid isPermaLink="false">http://filmsnoir.net/?p=3603</guid>
		<description><![CDATA[&#8220;The headlight-beams of his car kept slashing up the road ahead of them like ploughshares, seeming to cast aside its topsoil of darkness, reveal its borax-like white fill, and spill that out all over the roadway.  Then behind them the livid furrows would heal again into immediate darkness. It seemed hours they&#8217;d been driving like [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>L.A. Night of the Broken Dream</title>
		<link>http://filmsnoir.net/film_noir/la-night-of-the-broken-dream.html</link>
		<comments>http://filmsnoir.net/film_noir/la-night-of-the-broken-dream.html#comments</comments>
		<pubDate>Sun, 24 Jan 2010 08:16:26 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=3597</guid>
		<description><![CDATA[&#8220;And I see you now, you woman of that night &#8211; I see you in the sanctity of some dirty harbor bedroom flop-joint, with the mist outside, and you lying with legs loose and cold from the fog&#8217;s lethal kisses, and hair smelling of blood, sweet as blood, your frayed and ripped hose hanging from [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>Re-Focusing Film Noir</title>
		<link>http://filmsnoir.net/film_noir/re-focusing-film-noir.html</link>
		<comments>http://filmsnoir.net/film_noir/re-focusing-film-noir.html#comments</comments>
		<pubDate>Wed, 13 Jan 2010 12:49:52 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=3564</guid>
		<description><![CDATA[After some recent reading on film noir, I am re-focusing my approach to film noir, and this re-appraisal will influence my coming film noir reviews. If we go back to the hard-boiled detective novels of Dashiell Hammett and Raymond Chandler, we find protagonists who are essentially outsiders with personas concerned not with redemption but with [...]]]></description>
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		<slash:comments>9</slash:comments>
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		<title>L.A. 1939: Ask the dust</title>
		<link>http://filmsnoir.net/film_noir/l-a-1939-ask-the-dust.html</link>
		<comments>http://filmsnoir.net/film_noir/l-a-1939-ask-the-dust.html#comments</comments>
		<pubDate>Wed, 06 Jan 2010 23:13:13 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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<category>film noir</category><category>la</category><category>los-angeles</category><category>max-yavno</category><category>noir-fiction</category>
		<guid isPermaLink="false">http://filmsnoir.net/?p=3541</guid>
		<description><![CDATA[Max Yavno (Los Angeles: Underneath Third Avenue El -  1938) I am currently reading a very interesting book, Unless the Threat of Death Is Behind Them: Hard-Boiled Fiction and Film Noir (2006 The Johns Hopkins University Press) by John T. Irwin, which studies five novels and the films based on them &#8211; The Maltese Falcon, [...]]]></description>
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		<slash:comments>9</slash:comments>
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		<title>New Noir Fiction: One Too Many Blows to the Head</title>
		<link>http://filmsnoir.net/film_noir/new-noir-fiction-one-too-many-blows-to-the-head.html</link>
		<comments>http://filmsnoir.net/film_noir/new-noir-fiction-one-too-many-blows-to-the-head.html#comments</comments>
		<pubDate>Wed, 18 Nov 2009 10:38:57 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=3383</guid>
		<description><![CDATA[&#8220;Two men racing forward to collide like a knockout punch. A razor-edged story of revenge, redemption and what happens when you confront the ghosts of the past.&#8221; One Too Many Blows to the Head, feels like a long-lost pulp you find in a favorite bookstore. A delicious mix of classic hard-boiled grit and the heart-heavy [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Huzzah!! NOIR: An exciting new graphic novel project</title>
		<link>http://filmsnoir.net/film_noir/huzzah-noir-an-exciting-new-graphic-novel-project.html</link>
		<comments>http://filmsnoir.net/film_noir/huzzah-noir-an-exciting-new-graphic-novel-project.html#comments</comments>
		<pubDate>Tue, 14 Apr 2009 00:47:16 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=2785</guid>
		<description><![CDATA[©2009 I.N.J. Culbard. Used with Permission. A group of nine very talented graphic artists/writers have launched an exciting new blog project titled Huzzah!! NOIR. Each contributor in turn will be contributing a page that develops the story of a washed-up 40s boxer searching for a dame in a dark noir metropolis. Shades of Murder, My [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>&#8220;The B List&#8221; in Paperback</title>
		<link>http://filmsnoir.net/film_noir/the-b-list-in-paperback.html</link>
		<comments>http://filmsnoir.net/film_noir/the-b-list-in-paperback.html#comments</comments>
		<pubDate>Mon, 10 Nov 2008 11:55:21 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=1901</guid>
		<description><![CDATA[The B List: The low-budget beauties, genre-bending mavericks, and cult classics we love (Da Capo Press. $15.95. 288 pages), edited by David Sterritt and John Anderson, has been released as a paperback. The book is organised by genre &#8211; film noir, road movies, horror movies etc. Contributors include the Village Voice&#8217;s J. Hoberman, Newsweek magazine&#8217;s [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Sci-Fi Noir: New Book</title>
		<link>http://filmsnoir.net/film_noir/sci-fi-noir-new-book.html</link>
		<comments>http://filmsnoir.net/film_noir/sci-fi-noir-new-book.html#comments</comments>
		<pubDate>Sat, 25 Oct 2008 06:51:51 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=1790</guid>
		<description><![CDATA[A new book Tech-Noir: The Fusion of Science Fiction and Film Noir by Paul Meehan has been published. The publishers description: This critical study traces the common origins of film noir and science fiction films, identifying the many instances in which the two have merged to form a distinctive subgenre known as Tech-Noir. From the [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<item>
		<title>Noir City 2009 Program</title>
		<link>http://filmsnoir.net/film_noir/noir-city-2009-program.html</link>
		<comments>http://filmsnoir.net/film_noir/noir-city-2009-program.html#comments</comments>
		<pubDate>Thu, 16 Oct 2008 10:21:14 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<category><![CDATA[Noir Festivals]]></category>
<category>ace-in-the-hole</category><category>arlene-dahl</category><category>castro-theatre</category><category>deadline-usa</category><category>film-noir</category><category>films</category><category>san-francisco-film-noir-festival</category><category>scandal-sheet</category><category>shock-corridor</category>
		<guid isPermaLink="false">http://filmsnoir.net/?p=1754</guid>
		<description><![CDATA[Thanks to Dark Cty Dame for advance details of the program for NOIR CITY 7, the 2009 San Francisco Film Noir Festival, to be held January 23–February 1, 2009, at the Castro Theatre, and which will have a newspaper theme: Friday, January 23 Deadline USA (1952) Scandal Sheet (1952) Saturday, January 24 Matinee: Chicago Deadline [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>Walk Softly, Stranger (1950): Romantic Noir</title>
		<link>http://filmsnoir.net/film_noir/walk-softly-stranger-1950-romantic-noir.html</link>
		<comments>http://filmsnoir.net/film_noir/walk-softly-stranger-1950-romantic-noir.html#comments</comments>
		<pubDate>Fri, 10 Oct 2008 13:21:32 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Films]]></category>
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<category>alida-valli</category><category>film-noir</category><category>films</category><category>frank-fenton</category><category>heist</category><category>joseph-cotten</category><category>rko</category><category>robert-stevenson</category><category>spring-byington</category><category>walk-softly-stranger</category>
		<guid isPermaLink="false">http://filmsnoir.net/?p=1711</guid>
		<description><![CDATA[A gambler on the skids pulls a heist as a final gambit after adopting a false identity in a small town and falling for a rich crippled woman (1948 RKO. Directed by Robert Stevenson 81 mins) Cinematography by noir veteran Harry J. Wild Screenplay by Manuel Seff and Paul Yawitz (adaptation of play by Frank [...]]]></description>
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		<slash:comments>15</slash:comments>
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