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	<title>film noir &#187; Books</title>
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	<link>http://filmsnoir.net</link>
	<description>filmsnoir.net: an oasis of noir in a desert of banality</description>
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		<title>Film Noir and the Classic Hollywood Narrative</title>
		<link>http://filmsnoir.net/film_noir/film-noir-and-the-classic-hollywood-narrative.html</link>
		<comments>http://filmsnoir.net/film_noir/film-noir-and-the-classic-hollywood-narrative.html#comments</comments>
		<pubDate>Sat, 17 Dec 2011 01:50:30 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=6374</guid>
		<description><![CDATA[ American films noir from the classic cycle have essentially the same narrative structure as other Hollywood movies, and that the entertainment value of a movie lies in the delicate balancing of pleasure and anxiety.
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<li><a href='http://filmsnoir.net/film_noir/noir-novelists-in-hollywood.html' rel='bookmark' title='Noir Novelists in Hollywood'>Noir Novelists in Hollywood</a></li>
<li><a href='http://filmsnoir.net/film_noir/film-noir-classic-dvd-collection-vol4-out-july-31.html' rel='bookmark' title='Film Noir Classic DVD Collection Vol4 Out July 31'>Film Noir Classic DVD Collection Vol4 Out July 31</a></li>
<li><a href='http://filmsnoir.net/film_noir/new-dvd-set-film-noir-classic-collection-vol-4.html' rel='bookmark' title='New DVD Set: Film Noir Classic Collection Vol. 4'>New DVD Set: Film Noir Classic Collection Vol. 4</a></li>
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		<slash:comments>2</slash:comments>
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		<title>New Books on Noir: From Screwball to Dragnet</title>
		<link>http://filmsnoir.net/film_noir/new-books-on-noir-from-screwball-to-dragnet.html</link>
		<comments>http://filmsnoir.net/film_noir/new-books-on-noir-from-screwball-to-dragnet.html#comments</comments>
		<pubDate>Fri, 02 Sep 2011 00:55:36 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=6184</guid>
		<description><![CDATA[TV Noir: The Twentieth Century by Ray Starman and Screwball Comedy and Film Noir: An Analysis of Their Imagery and Character Kinship  by Thomas C. Renzi...
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<li><a href='http://filmsnoir.net/film_noir/deadline-at-dawn-1946-screwball-noir.html' rel='bookmark' title='Deadline at Dawn (1946): Screwball noir'>Deadline at Dawn (1946): Screwball noir</a></li>
<li><a href='http://filmsnoir.net/film_noir/books-on-film-search.html' rel='bookmark' title='Books On Film Search'>Books On Film Search</a></li>
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		<slash:comments>2</slash:comments>
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		<title>Directors on the Edge: Outliers in Hollywood &#8211; James Ursini&#8217;s new book</title>
		<link>http://filmsnoir.net/film_noir/directors-on-the-edge-outliers-in-hollywood-james-ursinis-new-book.html</link>
		<comments>http://filmsnoir.net/film_noir/directors-on-the-edge-outliers-in-hollywood-james-ursinis-new-book.html#comments</comments>
		<pubDate>Sat, 13 Aug 2011 08:42:10 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=6122</guid>
		<description><![CDATA[Noted film noir authority and writer James Ursini has just published a new book, Directors on the Edge: Outliers in Hollywood, analysing  the work of five émigré b-noir directors... 
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<li><a href='http://filmsnoir.net/film_noir/new-book-on-edgar-g-ulmer.html' rel='bookmark' title='New Book on Edgar G. Ulmer'>New Book on Edgar G. Ulmer</a></li>
</ol>]]></description>
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		<slash:comments>4</slash:comments>
		</item>
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		<title>&#8220;Film noir is like a Harley-Davidson&#8221;</title>
		<link>http://filmsnoir.net/film_noir/film-noir-is-like-a-harley-davidson.html</link>
		<comments>http://filmsnoir.net/film_noir/film-noir-is-like-a-harley-davidson.html#comments</comments>
		<pubDate>Wed, 29 Jun 2011 07:32:41 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=5913</guid>
		<description><![CDATA["film noir is like a Harley-Davidson: you know right away what it is... the object being only the synecdoche of a continent, a history and a civilization…”


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		<slash:comments>2</slash:comments>
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		<title>Film Noir:  Cinema as Mourning</title>
		<link>http://filmsnoir.net/film_noir/film-noir-cinema-as-mourning.html</link>
		<comments>http://filmsnoir.net/film_noir/film-noir-cinema-as-mourning.html#comments</comments>
		<pubDate>Thu, 16 Jun 2011 06:50:58 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<description><![CDATA[Office memorandum, Walter Neff to Barton Keyes, Claims Manager. Los Angeles, July 16th, 1938. Dear Keyes: I suppose you'll call this a confession when you hear it. I don't like the word confession... 
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		<title>Noir Digest: Bad Girls Behind Locked Doors</title>
		<link>http://filmsnoir.net/film_noir/noir-digest-bad-girls-behind-locked-doors.html</link>
		<comments>http://filmsnoir.net/film_noir/noir-digest-bad-girls-behind-locked-doors.html#comments</comments>
		<pubDate>Sun, 29 May 2011 10:52:08 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=5758</guid>
		<description><![CDATA[They stopped making noir movies over 60 years ago, but the books on film noir keep on coming... and capsule reviews of four classic noirs
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</ol>]]></description>
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		<title>Dark Borders: Film Noir and American Citizenship</title>
		<link>http://filmsnoir.net/film_noir/dark-borders-film-noir-and-american-citizenship.html</link>
		<comments>http://filmsnoir.net/film_noir/dark-borders-film-noir-and-american-citizenship.html#comments</comments>
		<pubDate>Tue, 15 Mar 2011 09:29:32 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=5729</guid>
		<description><![CDATA[Jonathan Auerbach, Professor of English at the University of Maryland and regular presenter at film noir screenings,  has just published his much anticipated book on film noir,  Dark Borders... 
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</ol>]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Fate: &#8220;a belly-laugh on Olympus&#8221;</title>
		<link>http://filmsnoir.net/film_noir/fate-a-belly-laugh-on-olympus.html</link>
		<comments>http://filmsnoir.net/film_noir/fate-a-belly-laugh-on-olympus.html#comments</comments>
		<pubDate>Fri, 31 Dec 2010 05:22:35 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<guid isPermaLink="false">http://filmsnoir.net/?p=5658</guid>
		<description><![CDATA[The gods, like most other practical jokers, have a habit of repeating themselves too often
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		<title>James Gunn’s ‘Deadlier than the Male’: Psychology of the Femme-Fatale</title>
		<link>http://filmsnoir.net/film_noir/deadlier-than-the-male-the-psychology-of-the-femme-fatale.html</link>
		<comments>http://filmsnoir.net/film_noir/deadlier-than-the-male-the-psychology-of-the-femme-fatale.html#comments</comments>
		<pubDate>Wed, 08 Dec 2010 04:23:33 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<description><![CDATA[Helen Brent had the best-looking legs...
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		<title>The Car in Noir: High Wall (1946)</title>
		<link>http://filmsnoir.net/film_noir/the-car-in-noir-high-wall-1946.html</link>
		<comments>http://filmsnoir.net/film_noir/the-car-in-noir-high-wall-1946.html#comments</comments>
		<pubDate>Sun, 21 Nov 2010 10:50:44 +0000</pubDate>
		<dc:creator>Tony D'Ambra</dc:creator>
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		<description><![CDATA[The car in the film noir...
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