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FilmsNoir.Net
The complete film noir portal: movie reviews, articles, poetry & fiction, and noir news... -
Recent Posts
- The Big Bluff (1955): The bitter flavour of festering reality
- The Story of Temple Drake (1933): The good bad-girl
- The PI as Anarchist
- “All you need to make a movie is a girl and a gun”
- The French have a name for it: noir
- Film Noir FAQ: A great new book on Film Noir
- The Unreliable Narrator: Caligari, Rashomon, and the art of the B-Movie
- The Big Knife (1955): Bore me deadly
- Noir Poet – Kenneth Fearing: “appeals urged across kitchen tables and the fury that shouts them down”
- Jigsaw (1949): “like the last act of Hamlet”
- Highway 301 (1950): “a straight exercise in low sadism”
- Marlowe: “I was neat, clean, shaved and sober, and I didn’t care who knew it.”
- Jean Valjean in the Shadows
- New FilmsNoir.Net Trailer
- Cinematic Cities: New York – The Noir Years
- La Bionda (The Blonde – Italy 1992)
- Hudson, NY: Scenes from Odds Against Tomorrow Then and Now
- Wicked Women: “transforming sexist into sexy”
- Cigar Joe’s Latest Homage to Film Noir: Girl Trap
- New Film Noir Poster Book: “Where Danger Lives’
Archive for July, 2012
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Strange Impersonation (1946): Dirty science
Posted on July 30, 2012 | 2 CommentsStrange Impersonation, a 1946 programmer from... -
The Bigamist (1953): Shades of grey
Posted on July 23, 2012 | 7 CommentsMuch is made of Ida Lupino... -
Nobody Lives Forever (1946): Dark Romance
Posted on July 15, 2012 | 6 CommentsIn the opening scene of Nobody... -
The Crooked Way (1949): John Alton’s L.A.
Posted on July 5, 2012 | 5 Comments“the no-nonsense screenplay avoids melodrama and... -
The Great Flamarion (1945): Love is a Gun
Posted on July 1, 2012 | 2 CommentsMexico 1936. A small crowd is...
