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Sketch Noir #1: Tread Softly Stranger (UK 1958)

Tread Softly Stranger (1958)

> Lobby,Sketch Noir — Tony D'Ambra @ 8:25 am

August 30, 2009


Femme Noir No. 25

noir night

Asleep beside me. Her breathing soft as moonlight. She smelled of almonds.

The celestial camera zoomed out and took in the squalid room. The neon sign outside flickered stripes across our bodies. The smoke from my cigarette coiled upwards and was lost in the gloom of the dark ceiling. She stirred and whimpered words from a lost subterranean nightmare.

I stroked her hair soft and fair. She sighed and opened black wide eyes. She smiled an angel’s smile and took my cigarette. She inhaled deeply and blew the smoke through her exquisite nostrils, licked a flake off her redolent lips, and raising herself onto her elbow, peered at me with a tender fear. Throwing her long hair back, the habitual anger resurfaced. She returned the cigarette and sat up on the side of the bed.

She got up, found her clothes, and started to dress. I feigned the usual indifference and hid my pain. She moved into and out of the light, a specter already gone. Not looking at each other, we each nursed the scars of other celestial nights of empty dreams and furtive longing. Intimate strangers. Seeking refuge in lonely dives. A shot at forgetting and a chance of bliss.

She opened the door, hesitated, almost gave me a glance, shut the door softly a reproach, and was gone.

I walked to the window and watched her walk across the wet road into a death-like fog holding her arms to her body.  She didn’t look back.

> Lobby,Noir Poetry & Fiction — Tony D'Ambra @ 8:49 am

August 12, 2009


Noir City Blues

Noir City - New York - Young Man with a Horn (1950)

The dark night of forsaken city streets, vistas of  blissful angst and unholy pilgrimage.  I have been there and known their inhabitants: deadly dames, drunken losers, dangerous hoods, crooked cops, dreamers of broken dreams, and flawed heroes.

LA, Frisco, Chicago, and New York. I know these cinematic cities though I have never been.  A resident knows his locale, but the city in its ectoplasmic center is not reached corporeally, only in the phantasmagoria of a thousand and one shards of shattered night. Luminescent environs of a cosmic b-movie.  Wet asphalt, fog-laden piers, deserted streets, rusting hulks at anchor, the neon glimmer of purgatory dives, cigarettes and booze, dark tenements, the skid of car tires, and the wailing sirens of the dead.  Staccato rhythms and aching horns, crowded pavements and desperate loneliness.

One more fix, the last heist.  Treachery, misplaced loyalty, and courageous infamy. The denizens of a nether world trafficking in sordid magic and lurid hopes.

A kiss before dying, the desperate lurch before oblivion, and the erotic click-clack of stilettos on pavement. Dank stairwells and silent corridors. Closed doors and hidden secrets.  You break in and fall into a bottomless pool of black. Cut to a bare light-bulb burning on a current wired from hell.  Lying on a steel-framed bed you stare through the bars of perdition at yourself a wraith in a cracked mirror on the ceiling.

> Lobby,Noir Poetry & Fiction — Tony D'Ambra @ 8:18 am

August 3, 2009


film noir
film noir