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FilmsNoir.Net
The complete film noir portal: movie reviews, articles, poetry & fiction, and noir news... -
Recent Posts
- Imperfect: Impressive New Indie Neo-Noir
- Cinematic Cities: Taxi to Nowhere
- So Dark the Night (1946): The Split Personality
- Film Noir Influences: The Raveonettes – Attack Of The Ghost Riders
- Film Noir Summary Reviews: Night Moves – From Paris to LA via Iverstown
- Deception (1946): Expressionist Noir Melodrama
- New Book – Film Noir: The Directors
- The House on 92nd Street (1945): Real Drama with a Solemn Purpose
- The Night Shift: Scene of the Crime
- At the Crossroads: Blind Alley (1939) and 13 East Street (UK 1952)
- Trouble Is My Business: Help Fund a Film Noir
- Film Noir Influences: Black Amour
- Mystery Streets: My Own Private Noir
- The Dark Clowns
- Film Noir Influences: Force Of Evil’s Black Empire
- The Noir Art of John Alton: The People Against O’Hara (1951)
- Future Noir: 21st Century Dubai
- Cinematic Cities: Shanghai (1934)
- New Noir Video: “Tony Mars A Case of Murphy’s Law”
- The New Killers
Archive for September, 2007
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American Cinema: Film Noir and the Detective Film
Posted on September 6, 2007 | No CommentsThe Modern Art Museum of Fort... -
Fritz Lang Retrospective
Posted on September 3, 2007 | 2 CommentsThe Museum of The Moving Image... -
Roadblock (1951)
Posted on September 2, 2007 | 2 CommentsA competent b-noir from the RKO... -
Noir Review Finds
Posted on September 1, 2007 | No CommentsRichard von Busack on MetroActive reviews... -
Film Noir: Critical Origins
Posted on September 1, 2007 | No CommentsThomas Leitch of the University of... -
The Narrow Margin (1952): B plus
Posted on September 1, 2007 | 4 CommentsA very enjoyable B thriller from...
