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FilmsNoir.Net
The complete film noir portal: movie reviews, articles, poetry & fiction, and noir news... -
Recent Posts
- The Thief (1952): Silence is golden
- Cinematic Cities: New York 1952
- The Burglar (1957): The last b-movie?
- Noir Poet: Sinclair Lewis
- The Big Bluff (1955): The bitter flavour of festering reality
- The Story of Temple Drake (1933): The good bad-girl
- The PI as Anarchist
- “All you need to make a movie is a girl and a gun”
- The French have a name for it: noir
- Film Noir FAQ: A great new book on Film Noir
- The Unreliable Narrator: Caligari, Rashomon, and the art of the B-Movie
- The Big Knife (1955): Bore me deadly
- Noir Poet – Kenneth Fearing: “appeals urged across kitchen tables and the fury that shouts them down”
- Jigsaw (1949): “like the last act of Hamlet”
- Highway 301 (1950): “a straight exercise in low sadism”
- Marlowe: “I was neat, clean, shaved and sober, and I didn’t care who knew it.”
- Jean Valjean in the Shadows
- New FilmsNoir.Net Trailer
- Cinematic Cities: New York – The Noir Years
- La Bionda (The Blonde – Italy 1992)
Latest Movie Reviews
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The Thief (1952): Silence is golden
The independently made cold-war thriller The…
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The Burglar (1957): The last b-movie?
One of the few films where…
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The Big Bluff (1955): The bitter flavour of festering reality
The lurid original posters for The…
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The Story of Temple Drake (1933): The good bad-girl
Pre-code Hollywood was frank about sex,…
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The Big Knife (1955): Bore me deadly
The Big Knife is labelled a…
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Jigsaw (1949): “like the last act of Hamlet”
Jigsaw is a rollicking thriller so camp…
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Highway 301 (1950): “a straight exercise in low sadism”
In 1950 New York Times…
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La Bionda (The Blonde – Italy 1992)
An amnesiac femme-fatale the titular blonde…
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Naked Alibi (1954): “bizarre images, strange juxtapositions, and erotic plays”
James Naremore in his introduction to…
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Johnny Eager (1941): “Just another hood I guess”
“If this were serious drama one…
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Slaughter on Tenth Avenue (1957): On The Waterfront Not
Based on William Keating’s autobiography, “The Man…
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The Thin Man (1934): James Wong Howe’s Noir Counterpoint
When director W.S. Van Dyke commissioned…
Latest Articles
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Cinematic Cities: New York 1952
Posted on June 10, 2013 | 2 CommentsThe Thief (1952): Direction – Russell Rouse ... -
The PI as Anarchist
Posted on April 6, 2013 | 2 CommentsPI’s Sam Spade and Philip Marlowe... -
“All you need to make a movie is a girl and a gun”
Posted on April 4, 2013 | 2 CommentsThe famous pensée of Jean-Luc Godard... -
The French have a name for it: noir
Posted on March 29, 2013 | 1 CommentPI Philip Marlowe has the poet’s...
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