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FilmsNoir.Net
The complete film noir portal: movie reviews, articles, poetry & fiction, and noir news... -
Recent Posts
- Imperfect: Impressive New Indie Neo-Noir
- Cinematic Cities: Taxi to Nowhere
- So Dark the Night (1946): The Split Personality
- Film Noir Influences: The Raveonettes – Attack Of The Ghost Riders
- Film Noir Summary Reviews: Night Moves – From Paris to LA via Iverstown
- Deception (1946): Expressionist Noir Melodrama
- New Book – Film Noir: The Directors
- The House on 92nd Street (1945): Real Drama with a Solemn Purpose
- The Night Shift: Scene of the Crime
- At the Crossroads: Blind Alley (1939) and 13 East Street (UK 1952)
- Trouble Is My Business: Help Fund a Film Noir
- Film Noir Influences: Black Amour
- Mystery Streets: My Own Private Noir
- The Dark Clowns
- Film Noir Influences: Force Of Evil’s Black Empire
- The Noir Art of John Alton: The People Against O’Hara (1951)
- Future Noir: 21st Century Dubai
- Cinematic Cities: Shanghai (1934)
- New Noir Video: “Tony Mars A Case of Murphy’s Law”
- The New Killers
Latest Movie Reviews
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Imperfect: Impressive New Indie Neo-Noir
Michael Tucker of finite-films.com has written and directed…
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So Dark the Night (1946): The Split Personality
An early effort from director Joseph H. Lewis is a quintessential b-movie filmed in 3 weeks on a studio back-lot for less than 200 grand…
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Film Noir Summary Reviews: Night Moves – From Paris to LA via Iverstown
Bob le Flambuer (France 1956) Herman…
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Deception (1946): Expressionist Noir Melodrama
In Irving Rapper’s 1946 dark melodrama…
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New Book – Film Noir: The Directors
Another book on film noir directors….
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The House on 92nd Street (1945): Real Drama with a Solemn Purpose
Henry Hathaway’s 1945 film The House on 92nd Street for 20th Century Fox was the first of the doco-noirs that presaged the gritty realism of Jules Dassin’s The Naked City in 1948…
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At the Crossroads: Blind Alley (1939) and 13 East Street (UK 1952)
“Psychoanalysis has furnished the detective film…
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The Noir Art of John Alton: The People Against O’Hara (1951)
John Alton’s cosmic framing for the…
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Born to Kill (1947): “a violent, ironic and macabre paroxysm”
The weird story of a deranged con-artist and killer who marries into a wealthy San Francisco family, while told in the third person, reveals the thoughts and motivations of the central character, an attractive 30-something divorcee…
Latest Articles
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Imperfect: Impressive New Indie Neo-Noir
Posted on May 17, 2012 | No CommentsMichael Tucker of finite-films.com has written and directed... -
Cinematic Cities: Taxi to Nowhere
Posted on May 15, 2012 | No CommentsBorn to Kill (1947): Direction by Robert... -
Film Noir Influences: The Raveonettes – Attack Of The Ghost Riders
Posted on May 1, 2012 | No Comments -
The Night Shift: Scene of the Crime
Posted on March 25, 2012 | 2 Comments©2012 Anthony D’Ambra. All rights reserved....
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